<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	>
<channel>
	<title>Comments on: How does a change of scene fix a case of the critical blahs?</title>
	<atom:link href="http://blog.booklistonline.com/2007/08/16/how-does-a-change-of-scene-fix-a-case-of-the-critical-blahs/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.booklistonline.com/2007/08/16/how-does-a-change-of-scene-fix-a-case-of-the-critical-blahs/</link>
	<description>Behind the Book Reviews--The Official Blog of Booklist Online</description>
	<pubDate>Sat, 21 Nov 2009 13:47:47 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.7.1</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: Book Blog - Likely Stories, by Keir Graff - Booklist Online &#187; Blog Archive &#187;</title>
		<link>http://blog.booklistonline.com/2007/08/16/how-does-a-change-of-scene-fix-a-case-of-the-critical-blahs/comment-page-1/#comment-66272</link>
		<dc:creator>Book Blog - Likely Stories, by Keir Graff - Booklist Online &#187; Blog Archive &#187;</dc:creator>
		<pubDate>Mon, 27 Aug 2007 16:47:05 +0000</pubDate>
		<guid isPermaLink="false">http://blog.booklistonline.com/2007/08/16/how-does-a-change-of-scene-fix-a-case-of-the-critical-blahs/#comment-66272</guid>
		<description>[...] Writing about local resident James Wood (not to be confused with James Woods, me), the Boston Globe (&#8221;The Elegant Assassin,&#8221; by Christopher Shea)Â asks: But what does it mean that the most storied magazine in American history has aligned itself with a critic who essentially rejects the premises of a broad swath of contemporary American fiction? [...]</description>
		<content:encoded><![CDATA[<p>[...] Writing about local resident James Wood (not to be confused with James Woods, me), the Boston Globe (&#8221;The Elegant Assassin,&#8221; by Christopher Shea)Â asks: But what does it mean that the most storied magazine in American history has aligned itself with a critic who essentially rejects the premises of a broad swath of contemporary American fiction? [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>
