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	<title>Comments on: He May Have Been a Man of Letters, but He Was Only Flesh and Blood</title>
	<link>http://blog.booklistonline.com/2007/10/09/he-may-have-been-a-man-of-letters-but-he-was-only-flesh-and-blood/</link>
	<description>Behind the Book Reviews--The Official Blog of Booklist Online</description>
	<pubDate>Fri, 21 Nov 2008 09:55:17 +0000</pubDate>
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		<title>By: Book Blog - Likely Stories, by Keir Graff - Booklist Online &#187; Blog Archive &#187; And Then He Did the Old Soft Shoe</title>
		<link>http://blog.booklistonline.com/2007/10/09/he-may-have-been-a-man-of-letters-but-he-was-only-flesh-and-blood/#comment-75385</link>
		<dc:creator>Book Blog - Likely Stories, by Keir Graff - Booklist Online &#187; Blog Archive &#187; And Then He Did the Old Soft Shoe</dc:creator>
		<pubDate>Wed, 10 Oct 2007 19:54:00 +0000</pubDate>
		<guid>http://blog.booklistonline.com/2007/10/09/he-may-have-been-a-man-of-letters-but-he-was-only-flesh-and-blood/#comment-75385</guid>
		<description>[...] Talk aboutÂ surprised expectations, Hermione Lee&#8217;s (Edith Wharton)Â prologue to her conversation with Philip Roth (Exit Ghost) closes with a surprising paragraph (the interview is from the New Yorker [&#8221;Age Makes a Difference&#8220;] but the introduction is only in the Observer [&#8221;An audience with Philip Roth&#8220;]): On our last evening. Philip takes me to an Italian restaurant he likes in the far West Forties, way outside any fashionable or literary neighbourhoods. (&#8217;You won&#8217;t see Joan Didion here,&#8217; he says.) It&#8217;s a family business, full of big, tough, snazzily dressed Italian couples, quiet family groups and the chef&#8217;s relations. Philip is greeted as an old friend. Work&#8217;s over, and he settles down to have fun: anecdotes, character-sketches, jokes, songs, impersonations, come pouring out. It&#8217;s not like being at Versailles with the Sun King any more. It&#8217;s like having supper with the Marx Brothers; it&#8217;s like tuning into your very own radio channel, the Roth Station. The volume goes up as the comedy gets more outrageous, and heads turn - not in recognition, here, but because people nearby are being distracted from their own conversations. One old man, out for a quiet evening with his wife, says wrily to Roth as they leave, passing our table: &#8216;Try and enjoy yourself.&#8217; [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] Talk aboutÂ surprised expectations, Hermione Lee&#8217;s (Edith Wharton)Â prologue to her conversation with Philip Roth (Exit Ghost) closes with a surprising paragraph (the interview is from the New Yorker [&#8221;Age Makes a Difference&#8220;] but the introduction is only in the Observer [&#8221;An audience with Philip Roth&#8220;]): On our last evening. Philip takes me to an Italian restaurant he likes in the far West Forties, way outside any fashionable or literary neighbourhoods. (&#8217;You won&#8217;t see Joan Didion here,&#8217; he says.) It&#8217;s a family business, full of big, tough, snazzily dressed Italian couples, quiet family groups and the chef&#8217;s relations. Philip is greeted as an old friend. Work&#8217;s over, and he settles down to have fun: anecdotes, character-sketches, jokes, songs, impersonations, come pouring out. It&#8217;s not like being at Versailles with the Sun King any more. It&#8217;s like having supper with the Marx Brothers; it&#8217;s like tuning into your very own radio channel, the Roth Station. The volume goes up as the comedy gets more outrageous, and heads turn - not in recognition, here, but because people nearby are being distracted from their own conversations. One old man, out for a quiet evening with his wife, says wrily to Roth as they leave, passing our table: &#8216;Try and enjoy yourself.&#8217; [&#8230;]</p>
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